An Analysis Of Romantic Opera Drama Essay

An Analysis Of amative Opera Drama quizThe amorous Era was a period in medicinal drug in which there was much change during the 1850s to the 1920s in the theory and writingal practice of music. The composers wrote their pieces with more finesseistic freedom, experimentation, and creativity than the artists of the unstained era and this ca apply the communication channel to become the more dominant feature in the songs composed. Some usual composers that originated out of this era are Robert Schumann, Franz Schubert, Frdric Chopin, and Richard Wagner. For inspiration, many Romantic composers turned to visual arts, poetry, drama and literature, and to nature itself. These influences led composers to express perception in their music. These changes in the sound of the music came in the form of the increase use of dissonance and the ext residualed use of chromatics. Although Romantic era music contained classical era roots, the instruments used in the Romantic era were changin g and brass and woodwind instruments were being improved in the quality of sound, as tumesce as in how they were played. Some Romantic era composers used their compositions to express nationalism by the path of incorporating elements unique to their native cultures, much(prenominal) as folk songs, dances, and legendary histories. Mikhail Glinka is an example of a composer who wrote opera houses specifically on Russian subjects.Many great operas derived from the Romantic era including Gaetano Donizettis Lucia di Lammermoor, as well as Gioachino Rossinis The Barber of Seville. Opera was very dominant in Italy where the operas differed from the operas of the classical era because the form of the pieces were being changed by having the tenors given the heroic runway in operas and by giving the chorus a more valuable lead than before. Gioachino Rossini was the first composer to initiate an opera in the Romantic era, which started in the early 19th century. His first piece, La Cambia le di Matrimonio, included scenes where the characters expressed sense through the lyrics of their songs. This was a comedic opera that was the first of its kind which was written in 1810. Many great composers followed Rossini including Vincenzo Bellini, Gaetano Donizetti, and Giuseppe Verdi. These composers continue to change the way operas were being written as well as preformed. These changes were evident in Verdis first happy opera, Nabucco, which the general public found pursualing because of its great choruses. Verdi also continued to express nationalism in his operas, Va, pensiero, which was interpreted as giving intend to the struggle for Italian independence and Verdi was expressing his hope to unify Italy. By the end of the Romantic era, opera had become a combination of many art forms including the theatre, dance and orchestra oriented music.Although opera was predominant in Italy, many some other European composers were contri simplying to the changes in the music of their generation, including German composer Richard Wagner. Richard Wagner was born on May 22, 1813 in Leipzig, Germany where he had a difficult childhood. Wagners father died of typhus six months after Richards birth which led his flummox Johanna Rosine Wagner, to begin living with the actor and playwright Ludwig Geyer, who had been a friend of Richards father up until his death. Richards mother then proceeded to marry Ludwig Geyer and they moved the family to Dresden. It is here where Wagner started his musical learning. Richard first took interest in his step fathers love for the theatre and performance arts and he played an angel in a play at a local theatre. When he was seven, Wagner was enrolled at Pastor Wetzels school at Possendorf, secure Dresden, where he received some diffuse instruction from his Latin teacher. A year subsequent his stepfather died which led the eight year old Wagner to depend the Kreuz Grammar School in Dresden. Although Richard was largely a s elf taught musician he persuaded his family to allow him to expunge music lessons. From 1828-1831 Wagner immaculate his first lessons in composition with Christian Gottlieb Mller and by the eon he was fifteen he had already written his first play. Wagners focus on drama is oneness of the reasons his operas really shined as being different than operas of the classical era. He enrolled at the University of Leipzig in 1831 where Wagner further took composition lessons from Christian Theodor Weinlig who refused to let Richard pay for the lessons he was giving him. Weinlig was so impressed with Wagners talents that he arranged for one of Wagners piano works to be published. Wagner continued his studies in music and he completed his first opera when he was twenty years old called fade Feen. This opera would not be produced until half a century later when it was premiered in Munich shortly after his death in 1883. Around the time he wrote his first opera, Wagner married the actress Mi nna Planer, who he moved to Riga with where he became the music director of the local opera house. His relationship with his wife was a troubled one in that she left him once for another man, but came back to him before they moved to Paris due(p) to fleeing from tremendous debt. In 1862 he returned to Germany, where he moved in with Ludwig II. After the success of his opera, Tristan und Isolde, he decided to do more traveling around Europe where he created such classics as Siegfried and Gtterdmmerung. Towards the end of his life Wagner decided to specify in Italy where wrote his final opera, Parsifal. Parsifal was first preformed at the Bayreuth festival which occurred at the opera house in which Wagner himself funded. After the second Bayreuth festival the Wagners decided to take a trip to Venice in the winter of 1883. It is here where Richard Wagner passed away due to a heart attack.In his long musical career Wagner created long dozen operas including the most notable Rienzi, D er fliegende Hollnde, Tristan und Isolde, and Der Ring des Nibelungen. It was clear that Wagner was changing the way operas were being preformed, and he continued to push the music further into the Romantic era by viewing operas as total art works.